Manning Makes Stuff - Halloween decorations, paper mache masks, costumes, party ideas, and more

Manning Makes Stuff - Halloween decorations, paper mache masks, costumes, party ideas, and more

My painting method for my paper maché skull masks and other projects

Published by Manning on June 19th, 2015

using spray paint and acrylic paint on paper mache masks and decorations

I use basically the same process for all of my big paper maché skull masks, and a lot of my other big paper maché Halloween projects and stuff as well. Here are the materials I use:

  • Spray paint
  • Acrylic paint
  • An old sponge
  • Several different sized paintbrushes
  • Clear matte spray
  • Plastic plates for mixing paints
  • Plastic cups for rinsing brushes
  • Plastic shower curtain to protect my outdoor work area
  • Newspaper and wax paper to protect my indoor work area

I start off by spray painting the interior of the mask black. This might sound unnecessary, but I like the mask to look good from any angle, whether I’m wearing it or not. If you leave the interior with visible newsprint, people will be able to see it from some angles, like if the mask is on display up on a shelf. Better to paint it all black inside.

Once that’s dry, I spray paint the exterior white. As I’ve mentioned in some of my paper maché articles, it’s important that your last layer of paper maché be brown wrapping paper, or any other solid color paper, rather than newsprint. It takes a surprising amount of coats of white spray paint to completely cover newsprint. With any light, solid color paper, you’ll only need one or two coats to make it completely white.

With the spray painting done, I let the mask air out for a couple days outside. More on that below.

When the mask no longer smells like chemicals, I bring it inside to do the rest of the painting; shading, details, etc. I use acrylic paint for all this.

First I use a sponge and very watered down black acrylic paint to paint shadows all over the mask. I concentrate on the dents and curves where shadows would naturally appear, but I also do a very light wash of watery black paint over the whole mask. We’re talking extremely watery here; I just want to make the white surface look a bit dirty and aged all over. I will be scaling this effect way back with white paint later, so it’s okay to go a bit overboard with dirtying up the mask. I might do two or three coats of this kind of wash with water and black paint in the areas that need to have the deepest shadows, like around the eyes, under the cheekbones, etc.

When all the shading is dry, I use a dry-brushing technique with white paint to bring out the highlights all over the mask. To do this I use a large, wide brush. I put some white acrylic paint on a plastic plate, and dip the brush in it just a little bit. Then I wipe the brush on some newspaper, back and forth a few times, to get the majority of the paint off the brush. Then I lightly brush back and forth all over the mask with this brush. This technique lets you apply paint to the areas that are raised, while skipping over the areas that are dented. You want to use as little paint as possible here; it’s always easy to do more and more coats of white drybrushing, but if you use too much there’s no going back. (I’ve definitely gone overboard with the drybrushing a few times and have had to start over completely; I just bring the mask back outside and spray paint it all white again, then you’ve gotta wait for it to air out again, do the black wash again, etc.) I usually end up doing about three coats of white drybrushing. The good news is that you’re using so little paint, the whole coat dries in just half an hour or so.

The result of the black wash and the white drybrushing is that all the natural curves and shadows and highlights of the mask are emphasized. You’ve just upped the contrast on the real life lighting of the mask.

Paper mache skull mask with black wash and white drybrush effect

Next, I use a smaller brush to paint the details: I often start by painting black lines between all the teeth, and when that’s dry, I repaint the teeth in white. I also usually add some solid black around the edges of the eyes, nose, and mouth, to bring out that contrast and give the eyes a little more expressiveness.

When all the details are done and dry, I bring the mask back outside for a few coats of clear matte spray. That’s it!

Boring stuff: protecting your work area, and airing out the mask

I do all my spray paint and matte spray stuff outside, and all my acrylic painting inside.

I do my outdoor painting on my terrace, as I don’t have a yard. I protect my work area with a shower curtain from the dollar store, weighed down with bricks and other stuff.

My indoor painting area is my dining room table. I protect the table with a layer of newspaper and a layer of wax paper, all held down with masking tape.

Each time I do spray paint or matte spray, the mask needs to air out for a couple days outside before I can bring it in. My masks are generally very lightweight and I’m worried about them blowing away, and there’s no good way to weigh them down without damaging the paint job, so I place the mask in a big plastic outdoor storage box that I have on my terrace. Most of the year it stores the cushions for my patio furniture, but for these projects I empty out the box, place the mask inside on some newspaper, and prop the door of the box slightly open, so air can get in but the mask can’t get out.

10 Responses to “My painting method for my paper maché skull masks and other projects”

  1. Laura Says:

    Hello Manning…wow, wow, wow! I am blown away by your talent, so impressive. I’ve been working on my first paper mache project (since childhood) and it is hard! Your posts have been so helpful, thanks so much for that. I have read all of them, some over again and have gotten such great tips. My question is regarding painting…do you always do the black/dirty sponge wash under any project? Or just skeletons? Mine is a bird dinosaur head…wondering if you think it would be beneficial for that? He is spray painted white at the moment..and will be mostly greys and browns with yellow beak. Would love to hear from you :)

    Again…you are amazing!!!!!!

  2. manning Says:

    Hi Laura! Thanks for your comment. I generally do the black wash with the sponge for all my projects. It really depends on what kind of effect you’re going for! If you want a rough, organic look, then the black wash will help a lot. If you want a bright, solid, less realistic look, then you might not need the black wash. I like using the black wash and white (or whatever final color) dry brushing on all my projects because I like to bring out the texture of the paper mache, as well as the contrast of the highlights and shadows of the shapes, as much as possible. If you’re going for realistic, or semi-realistic, I think you should try it! And fortunately it’s not too hard to start over if you decide you don’t like it. I’d love to see your project when it’s done! Good luck!

  3. Jaime Ramirez Says:

    Do u ever sell your masks? Can u do a raiders inspired skull mask! Would love to wear on at a game

  4. manning Says:

    Hi Jaime! I’ve got a page about my custom paper maché work here. Feel free to get in touch if you’re interested!

  5. Noah Volchevsky Says:

    Hey, manning. So, I’ve been referring to your website to do my paper mache projects (as of right now, I’m working on my second one), and I was wondering how to make a snout for my fox head. Right now I plan on using a old shoebox, but I wanted to get a experiencedecent persons opinion on this.

    Btw, your work is amazing!

  6. manning Says:

    Hey Noah! Thank you! I’d love to help if I can. Since you mentioned a shoebox for the snout, I’m assuming your mask is going to be BIG! Back in October I made a very rushed paper mache Anubis mask; link here. I made the basic shapes for the head out of foam board, just cut out and taped together in simple geometric shapes; you can see the head shape in the fourth pic on that page, and you can see that I didn’t measure very carefully because the pieces at the end of the snout didn’t line up right; it didn’t matter ’cause I covered the whole thing with tape and other junk. So, I’m showing you this pic for two reasons: one is to show that a blocky shape is fine! The other is to show how a dog/fox/jackal’s snout is tapered; wider at the back and narrower at the front. If you use a shoebox you’re going to end up with a snout that’s blocky (fine) but not tapered. Depending on how realistic you want to go, this might be fine. One thing you could do if you want a more tapered shape is to slice your shoebox along all four of the long edges, remove the end where the nose would be, and sort of crush that end of the box in on itself, to create a more tapered shape toward the front, and retaining the solid square shape at the back. Here, I made this sketch; the red parts are what you’d cut away. You could then wrap the box with some tape to hold the shape, and if you want to go even further you could use my method of wrapping the whole thing with narrow strips of bubble wrap or craft foam to round out all the edges a bit (also described in the Anubis mask project) and then cover all that with tape before doing the paper mache. It’s a lot of steps but they’re all pretty easy! Good luck!

    One more thing; a mask with a snout in the front might be very front-heavy; you can balance it out by taping/gluing lots of pennies inside the back of the mask at the bottom edge!

  7. sammie Says:

    Hi, I am doing a french taunters helmet from monty pythons holy grail. my question is how to paint it. i have spray paint to use. this is the first time i have made anything with paper clay. the helmet is not perfectly smooth. there are quite a few dents! i like the wash idea but i only have the spray paint. help

  8. manning Says:

    Hey Sammie! If you have both black and silver (or gray) spray paint, you could try doing a solid coat of black, let that dry, and then do a light dusting of silver/gray (let dry), and then a light dusting of black again (let dry), another light dusting of silver/gray (let dry), etc, until you find a good balance that looks like old beat up metal. You probably won’t be able to emphasize the edges and bumps specifically, like you would with a dry-brush effect, but it should look pretty convincing. Good luck! Now I wanna make one of those snarky French guy helmets too!

  9. sammie Says:

    well it’s done. it doesn’t look to . is there a place i could upload a pic so you could see it?

  10. manning Says:

    Hi Sammie! There are a ton of free image hosting sites out there but I don’t know which ones are any good. You could also just email me a pic at if you want!

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